What's on & in the workshop

Coming up

A local filmmaker is planning a short documentary about my work, including the story behind some of my sculptures. I’ll share it here when it’s ready. 

Public commission Unveiling

The unveiling of my carved kingfisher is also planned for November. Installation November the 12th & the Unveiling on November the 13th.

In the workshop

Still water Style Drinking Horse Bust

My drinking horse sculpture is now drying in the office after oiling, revealing the oak’s warm colour and flowing grain.

While adjusting the mounting pin on the nearly finished steel plinth, I tried a sharper angle than I’d originally intended—and much preferred it. There’s something magical about the way the horse appears suspended above the base, almost defying gravity. The lowered head still carries that quiet sense of reaching towards water, but the unexpected angle gives the whole piece a different energy.

Garuda Eagle Sculpture

I’m developing a new garden sculpture inspired by Garuda, the divine eagle figure of Hindu tradition, often depicted as part human and part eagle and known as the mount of Vishnu. For this commission, Garuda will take the form of a bald eagle, with raised wings creating a powerful silhouette above an existing willow trunk. clevelandart.org

The sketches explore how the sculpture will sit within the landscape, while the reference photograph suggests an alternative pose with the wings sweeping slightly forwards. I’m exploring a construction that brings the body and inner wings together, with separately joined outer wing sections and concealed steel reinforcement to support them against the wind.

The eagle will be carved separately and mounted using steel rods through the legs, with the fixing plate concealed beneath its feet. This means it can eventually be removed from the willow and placed on another trunk or a suitable plinth as the original tree deteriorates. Working this way also allows me to create a sculpture larger than the trunk itself and choose grain directions to suit each section.

Placement is central to my design process. I spend time sketching sculptures into their intended setting, considering the viewing angle, surrounding planting and skyline. Getting those relationships right gives the finished piece its presence—and helps it feel at home in the landscape.

Alongside these larger sculptures, I’m working on several smaller projects in the studio. I’m now fully booked for the rest of 2026, and slots for 2027 are already starting to fill.

If you have a sculpture in mind—especially for a particular occasion or deadline—please get in touch early so we can discuss your ideas and plan a place in the diary.

 

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